Location: Joensuu, Finland
Genre: Melodic Death Metal
Released: April 25, 2014
Format reviewed: FLAC
Feature: Global Conquest – Recent Releases
By: Kris Kotlarik
Anyone who has talked to me for five minutes probably knows that Finland is my home away from home. I love it there; it’s a place where education actually makes sense, and it’s possible to get highs in the 60’s in the summer. Add Finland’s love of heavy metal (particularly its folk metal bands) to the mix, and it makes me wonder why I haven’t simply just moved there already.
During the summer of 2012, following my semester in Tampere, I went to Tuska in Helsinki. Insomnium played the smaller tent stage to a packed house and had a great set. While their newest release, Shadows of the Dying Sun, brought back some of those moments, many parts of Shadows didn’t resonate with me as much as I would’ve liked. The parts that did resonate with me, however, represent a big step forward for the band.
The bottom line is that this album sounds a little bit too much like a less anarchic/angry version of Arch Enemy. Depending on how you feel about Arch Enemy, this might be a good thing.
The main offenders are the ballad tracks and occasionally repetitive lyrics. Take these lyrics from “While We Sleep,” for example:
“When your heart gives out and your love collapses
When the hand that never lets go is there no more
When you reap and sow only throe and resentment
When there’s no one else but you to blame it for
When all you ever wish for is to go back once more
When all you ever wish for is to change it all
When all you feel is remorse, pain and regret
When you dwell in the past unable to move on”
The lyrics are relatable, but they don’t really go anywhere. With that said, there is a lovely guitar break towards the end that I’ll probably revisit several times.
“Lose To Night” and “The Promethean Song” are two balladesque tracks that feature minimal progression lyrically and are the two most skippable songs on this album. “Ephemeral” is rather poppy in its structure, which I can somewhat understand given the chorus:
“Dying doesn’t make this world dead to us
Breathing doesn’t keep the flame alive in us
Dreaming doesn’t make time less real for us
Ephemeral means “lasting for a very short time.” Given the sound, I interpret the lyrics as making the most of what little relative time we have, which again comes across as very poppy. That’s not inherently a bad thing; it just doesn’t feel right in this song.
My favorite songs on Shadows are “Revelation,” “Black Heart Rebellion,” and “The River.” The latter two tracks sound like they could have been paired with Die Apokalylptischen Reiter’s “Auferstehen Soll In Herrlichkeit” from Licht. Both tracks contain some pummeling blast beats, and “The River” in particular has a fantastic layered vocal bridge.
“Revelation” is another uptempo song to a lesser extent that features some of the best all-around drumming on Shadows and also features some fantastic use of vocal dynamics. Other strong moments include a nice guitar melody in the back half of “Primeval Dark,” and the title track is a solid ending to this record.
The production here is well done and in addition to the multiple examples of vocal dynamics, the musicianship is also excellent and is surprisingly diverse as far as melodic death metal albums are concerned.
Overall: Although large chunks of this album are at least somewhat forgettable, “Black Heart Rebellion” and “The River” are more than enough to salvage it. “Revelation” and the title track further bolster Insomnium’s sixth album.