Location: Vancouver, Canada
Genre: Progressive metal
Released: September 9, 2016
Format reviewed: FLAC
By: Kris Kotlarik
Holding Patterns is the bonus disc to Transcendence. It has no continuity, which doesn’t really make it an album, but it’s still worthy of a review. Let’s go track by track, bolding some of the best ones. All claims I make about the tracks can be fact-checked by reading the album liner notes unless otherwise stated.
Gump: Apparently, this song was quite contentious among the band members, as many of them thought it was one of the best songs on the record, but Devin couldn’t crowbar it into the main disc. The riffs on this midtempo track are infectious and this track could have easily found a home on the back end of Synchestra. The instrumental riffage midway through is this track’s highlight.
Celestial Signals: Grandiose layered vocals throughout the track give it an epic feel, but the song doesn’t really go anywhere.
Support the Cause: I’m not exactly sure what the cause is, but this is similar to the title track of the main disc in that it has a march beat vibe going on. The notes from Devin say it has a Scorpions vibe, which I kind of get (same rhythm and tempo as The Zoo). I really like the section starting at 1:48, and the song ends with a slightly heavier version of this. I disliked the track when I first heard it and still don’t care for the vocal intro, but it has grown on me somewhat over several spins.
Into the Sun: This is an interesting thought: Devin Townsend re-imagines Dethklok. Just picture a bunch of murder and mayhem while listening to this and you’ll see what I mean if you give it a couple of spins. The song is alright, but hasn’t done much for me so far.
Time Overload: A relatively straightforward hard rock song with some industrial tinges to it, it’s rather repetitive and holds little to no replay value.
Lexus: More than anything else, I love the chorus. Che’ Aimee Dorval appears to throw down the most rock-based vocals I’ve heard from her to date in the pre-chorus, and it works surprisingly well. But that chorus just resonates with me in this strange way that constantly makes me want to listen to it. I’m pretty sure it’s Devin’s self-harmonization that is doing it for me. The rest of the track is fine and on the heavy metal end of the spectrum; with a smoother touch it could have gone onto Epicloud after “More.”
Farther On: A short track that sounds like it could have evolved into something if it were expanded upon a little further in production or collaborative writing. Not sure if it could find a home on any of Devin’s recent albums, but this song is fine.
Victim: Originally recorded on Physicist, this was among my least favorite tracks on that album. I’m not sure what the appeal is to this one over any number of other tracks that could have been remade; “Namaste” and “Material” are significantly better candidates. I will say that this version sounds better than the original; the verses were the biggest problem in the original, and are still a problem here, but it sounds less grating.
Monkeymind: Heavy metal instrumental! It features some interesting riffs and a couple of solos, notably at 2:00 when it goes full Willy Wanka. Yes, I said Wanka. Get with the program.
Canucklehead: Strictly a joke song in the vein of Punky Bruster. It’s also very similar to “Sunshine and Happiness” from Synchestra, but with funny lyrics.
Loud: Deliciously soothing. Devin says this could have been on Sky Blue but couldn’t find a home for it; I get where he’s coming from and I’m glad this song sees the light here. It shows Anneke van Giersbergen’s softer side while showing off Devin’s ability to replicate a vibe similar to the softer parts of “Where We Belong,” one of the best songs off of Epicloud.
OVERALL: Holding Patterns is an oddball collection of assorted (or ass-sordid) demos from different eras of the DTP. It’s worth getting if you’re a Devin fan, especially since the double-disc edition costs about $3 more, but don’t expect across-the-board greatness.