Turisas

Review: Eluveitie – Origins

Location: Winterthur, Switzerland
Genre: Folk/Melodic Death Metal
Released: August 1, 2014
Format Reviewed: FLAC
Feature: Global Conquest – Recent Releases

By: Kris Kotlarik

The popularity of Eluveitie has always mystified me. While their releases and live performances feature authentic folk instruments, the music has never struck a chord with me. I’ve always been under the impression that Eluveitie has essentially forced their sound from one album to the next. While I may not be a complete fan of fellow folkers Turisas‘ newer works, they have shown that they are not afraid to change up their sound, which I embrace as a progression for the band.

I came into this review of Origins expecting to come perilously close to roasting it. But much like every other Eluveitie release, I am completely indifferent towards this. A large number of songs came and went without getting any sort of reaction, positive or negative, from me. The ones I particularly didn’t care for, such as “Vianna,” and “Celtos,” had a particularly poppy sound to them. If I were forced to pick highlights, I would start with “The Nameless” and “King,” the latter being the most energetic song by far (and some fancy fiddle work to boot). “The Day Of Strife” is also a decent track.

By and large, this goes down as an unremarkable album for me. It’s not bad; the production is nice, and the folk instruments liven up the arrangements substantially. But there are a number of spoken narrations that add absolutely nothing to the overall sound. The main problem is that there’s not enough to draw me back in for more, and that’s a major problem. 

Overall: Winterthur should stick with progressive death metal. They’re pretty good at it.

Rating: 2.0*

 

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A Guide to Analyzing (or writing) Over The Seize’s Album Reviews

By: Kris Kotlarik

Writing album reviews is something I have always taken great pleasure in. Trying to talk about most albums is much more difficult to express in an articulate way than it is for me to write it out, although there are a few that I will talk your head off about.

Starting tomorrow (May 30), I will begin writing album reviews under the Over The Seize flag. Each week, I will aim to write at least four reviews:
-1 recently released album from a band based in the state of Ohio. This is part of the “Local Waters” feature.
-1 recently released album from any band, anywhere. This is part of either the “National Uprising” or “Global Conquest” feature.
-1 album that I had no knowledge about before acquiring, released at any time, from any location. This will always be a “first listen” review and can be part of any of the aforementioned features.
-1 album from any period of time that I have listened to a multitude of times and either love it or fell out of favor with it.

The way I rate the albums I review revolves around top-to-bottom listenability. A highly rated album is almost guaranteed to never contain lulls or filler tracks. If there are “filler” tracks, they serve a purpose. This criteria often covers musicianship, lyrical content and production, in that order. Other factors I consider include perceived originality and, if applicable, replay value.

This is done using a 5-point scale. Some sample ratings:

5.0: An album that should be widely appreciated by fans of almost every genre. Entertaining from beginning to end on every listen. Extremely innovative and/or diverse. There are only a handful of albums that I will ever give this rating to.
Example: Devin Townsend – Ocean Machine

4.5: A fantastic album with negligible “slip-ups” that prevent it from reaching the all-time greats. Will still easily fall into my top 50 albums of all time and is a mortal lock to be in my top three albums of any given year.
Examples: Anathema – Weather Systems; The Gathering – Mandylion; Arcturus – The Sham Mirrors

4.0: A good album that could have been even better if a few songs were taken out or made shorter/longer. Guaranteed to make the top 30 of any year-end list I may end up writing.
Examples: Testament – The Gathering; Vader – Revelations; Rotting Christ – Kata Ton Daimona Eaytoy

3.5: Missing a few components that would have otherwise given it a 4.0 or 4.5. Still a solid listen from top to bottom, but won’t be revisited as often.
Examples: Stolen Babies – There Be Squabbles Ahead; Melechesh – Emissaries; Blind Guardian – Tales From The Twilight World

3.0: This rating has often been frequented by albums that have approximately three or four amazing songs (or approximately one-quarter of the album in length), but the rest of the album usually gets ignored.
Examples: Krisiun – The Great Execution; Napalm Death – Utilitarian; Strapping Young Lad – Heavy as a Really Heavy Thing

2.5: An album that I have no strong feelings for one way or the other. Any positive comment is often outweighed by a negative one. This is the kind of album that would probably be relegated to the NIT if there was an album tournament, or something to the effect of the Little Caesar’s Bowl in the College Football multiverse. Someone else would then say “That team got snubbed! They should have gotten in over this team!” And I wouldn’t argue with you about it at all.
Examples: Turisas – Turisas2013; Ministry – Relapse; Fleshgod Apocalypse – Labyrinth

2.0: There’s going to be a couple songs that will make me say “If the rest of the album was like this, I would’ve loved every second of it.” Otherwise, nothing special.
Examples: Alcest – Shelter; Ihsahn – Das Seelenbrechen; Nevermore – Enemies Of Reality

1.5: Bits and pieces of this album are good and will get some play in the right setting; the rest of the album is rather uninteresting.
Examples: The second disk of Casualties of Cool; Sabaton – Heroes; Meshuggah – Koloss

1.0: Bits and pieces of this album are decent and I guess I would tolerate it if I was in the car or something; the rest of the album is nearly unlistenable.
Examples: Steel Panther – Feel the Steel; Jorn – Lonely are the Brave; Anvil – This is Thirteen

0.5: Very few redeeming qualities. Will never play again and hopefully won’t have to talk about it again.
Examples: Sonata Arctica – Stones Grow Her Name; Adrenaline Mob – Men of Honor; HIM – Razorblade Romance

0: Truly awful. Will roast this album/band to shreds:
Examples: Emmure, Five Finger Death Punch, Miss May I, Staind, etc.

And then there’s the albums I won’t even review because it’s not anything I would ever enjoy listening to in any setting and would therefore give it, at the very best, a 0.5 if I were to actually review it.
Examples: Pitbull, Katy Perry, Luke Bryan, Lil Jon, etc.

Bear in mind that some of these bands whose albums I rated lowly are some of my favorite bands. Please don’t pick a fight with me over why I gave something such a low rating on this post. It isn’t meant to be taken seriously; just as a baseline for my own tastes.

Now, for those who wish to review albums with Over The Seize, I don’t care what your criteria is for your reviews, but I do expect it to be similarly selective. You should only have a handful of albums that you truly consider masterpieces, and only a handful of bands/albums that you consider to be truly awful. I also ask that you send an “about me and my review ratings” so that I can post it as one of the pages here. Thanks for reading. I will take some requests on occasion so feel free to pitch some review ideas.

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